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Steve (Strong) Cepello

11-13-03
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11-13-03
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11-13-03
11-13-03 Cepello's Official Portrait of Governor Ventura.jpg


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Steve (Strong) Cepello



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about us
Los Angeles artist Stephen Cepello
wrestled under the name Steve
Strong in the late 1970s when he was
a tag-team partner of Jesse Ventura.

He painted Minnesota's official
portrait of Governor Ventura and
another portrait that hung in the
governor's mansion. See them both in
the gallery below.
This is an article by Jim Ragsdale
from the St. Paul Pioneer Press.
Friday, Nov. 14, 2003

STRONG AND SILENT

Observers say ex-Gov. Jesse
Ventura's portrait captures him;
he's mum

BY JIM RAGSDALE

Pioneer Press

Minnesota's most unorthodox
governor came back to the Capitol
for good Thursday.

Gazing searchingly into the
distance, his precious Navy
insignias on his lapel, Rodin's "The
Thinker'' at his side and a lit cigar
in his hand, former Gov. Jesse
Ventura is depicted as a
serious-minded visionary in his
official portrait.

The oil painting, by an artist who
was Ventura's tag-team wrestling
partner in the 1970s, was unveiled
and mounted at the Capitol, the
38th such portrait to grace the halls.

"It captures the unique elements of
his personality and style and
strength,'' said Ventura's
successor, Gov. Tim Pawlenty, who
attended the ceremony. "It's
playful, yet serious and strong.''

Ventura attended but chose not to
speak at the unveiling, leaving
those duties to his wife, Terry,
spokesman John Wodele and the
artist, Steve Cepello.

Ventura glared at reporters who
tried to approach and responded to
their questions with stony silence. A
radio reporter said Ventura
grabbed his microphone and
dropped it on the floor when he
tried to tape Ventura's conversation
without Ventura's permission.

It was Ventura's first official visit to
the Capitol since he left office in
January. He was elected in 1998 as
the nation's only Reform Party
governor (later breaking away to
form the Independence Party of
Minnesota).

His nationwide fame and cachet
with independent-minded voters
was such that Vice President Al
Gore courted him during Gore's
2000 presidential campaign.
Ventura did not seek re-election
last year, when the post-Sept. 11
economy had blown holes in the
state's budget, and now has a
weekly show on the MSNBC cable
television network.

He sat in the front row with family,
friends and former aides, watching
as Cepello and Brian Szott, curator
of art for the Minnesota Historical
Society, pulled a string and unveiled
the painting.

The crowd rose and gave the artist
and his work a standing ovation. "I
sat in front of my easel and I
pondered - was this to be a
memorial, or maybe a stay of
mortality, or a testimony to a
fiercely independent personality of
my friend Jesse?'' said Cepello, who
wrestled with Ventura under the
name "Steve Strong'' and still has
long, surfer-blond hair. "I chose
them all.''

The painting shows Ventura in an
outdoor setting, with an ominous,
dark sky contrasting with the light
illuminating that familiar shaved
head and rugged face. Ventura
wears a blue suit, a red, white and
blue tie and the one element he
insisted on: insignias from his days
as a Navy frogman in the early
1970s.

One hand rests on the famous
image of Rodin's "The Thinker,''
which figured prominently in
Ventura's inventive television ad
campaign in 1998. Another holds a
lit cigar - a Ventura trademark that
is sure to make waves in
anti-smoking circles. A golf hole
symbolizing his favorite pastime, a
train showing his commitment to
light-rail transit, the Minneapolis
skyline, the Capitol and the
Mississippi River all appear in the
painting.

Ventura's gaze is serious. There
are no pink boas from his pro
wrestling career, which he
continued as governor with a
one-night appearance in the
summer of 1999. There are no
microphones from his broadcasting
days, which he also continued as
governor, signing on as a pro
football color commentator for the
XFL during the winter of 2001.

It is a fairly traditional portrait for
this most untraditional of governors.
The emphasis is on policy and
governance, not on his appearances
with Jay Leno and David Letterman
or his celebrated rows with
legislators and the media.

"I think it's very realistic,'' said
former Lt. Gov. Mae Schunk,
Ventura's running mate. "It depicts
who he was - the vision that he
brought to Minnesota when he
wanted policy developed…. I saw
him in the meetings always being
very serious, very sensitive, and
very concerned about what's good
for the people of Minnesota. That
was Governor Ventura.''

Dean Barkley, Ventura's political
mentor who became his planning
director and, briefly, an interim U.S.
senator following the death of Paul
Wellstone, praised the image. "It's
the real Jesse Ventura,'' Barkley
said. "I've seen that look several
times. He caught Ventura, the
guy.''

Bill Hillsman, the advertising man
behind Ventura's 1998 campaign
ads, saw symbolism in the weather
patterns. "I like the fact that the
sky is ominous, but there's a crack
of light on the horizon,'' he said.
"The symbolism is obvious … the
future is back to the Democrats and
the Republicans, but there's still a
glimmer of light on the horizon,
which means there's still hope for
independents and third-party
people.''

Toward the end of the ceremony,
Terry Ventura said, "Are you
feeling like talking today,
husband?" He shook his head and
she concluded the event. Ventura
kept reporters out of a reception in
a public Capitol hallway, but
allowed a crew from MSNBC.

Bill Werner, Capitol reporter for
WMNN and the Minnesota News
Network, said he tried to tape
Ventura as he chatted with a former
commissioner in the Capitol before
the ceremony started. Werner said
Ventura grabbed the microphone,
dropped it to the floor and told him
not to tape him without his
permission.

John Wodele, Ventura's longtime
spokesman, said he was unaware of
the incident.

On Wednesday, Dan Creed, who
lost his job in 2002 as manager of
the Governor's Residence, called a
news conference to talk up his new
book about the Ventura family and
their use of the building. Wodele
said Terry Ventura was deeply hurt
by the book, which is titled
"Governor Ventura: The Body
Exposed.''
PORTRAIT SPARKS QUEST FOR A 'VENTURA
CODE'

The Associated Press

Thursday, December 18, 2003

St. Paul, Minn. - Chalk it up to "The Da Vinci
Code," but folks in Minnesota's Capitol are
squinting for hidden meanings in a new portrait of
ex-Gov. Jesse Ventura.

For the state's most colorful governor ever, the
painting unveiled last month is fairly traditional.

That may be why, as tour guides note, many
viewers are looking for more.

Artist Steve Cepello isn't revealing any secrets, but
he also isn't discouraging the hunt.

"A magician can never say anything about his
magic," said Cepello, like Ventura a former
professional wrestler. "I'm not going to deny or say
that there isn't anything there because there could
be. There could be."

To be sure, the painting is full of obvious symbols.

Behind Ventura, viewers can plainly see a light rail
train, a pet project of Ventura's, and there are
Navy jump wings on the ex-SEAL's lapel.

Ventura's hand rests on a copy of Auguste Rodin's
sculpture, "The Thinker," a nod to one of his
campaign ads.

But some tourists are sure they see cursive letters
in the folds of Ventura's sleeve. A few swear they
see someone else depicted in Ventura's tie.

Among the questions raised by the painting:

Why was Cepello quoted by reporters before the
unveiling saying it would have references to
Ventura's wrestling career if it does not?

Cepello said he was misunderstood.

Is there any message on Ventura's sleeve?
Look hard enough, and it seems one can just about
make out letters in the folds of a suit sleeve. Could
they be W-W-F, representing Ventura's old
employer?

How about the face on the portrait's "The
Thinker." He appears to have a mustache in the
painting, unlike in the original. Is someone else
depicted?

Bill Hillsman, the adman who created the Thinker
spot for Ventura's '98 campaign, thinks the figure
in the painting looks a little like Cepello himself, a
large man with long golden hair and a prominent
mustache.

"Maybe the artist paints in little pictures of
himself?" he wondered.

No, Cepello answered, there is no mustache on his
Thinker, only a pushed-up lip.

Could there be another face in the folds of
Ventura's American flag tie? Like one of those
illusion posters: Stare long enough and a head
seems to jump out at you.

Cepello said he did joke with Ventura about hidden
messages. He said he told Ventura he used
degenerative oil and, eventually, "it will begin to
deteriorate, revealing a naked Jesse with a pink
boa."

That, at least, might stop the squinting.


About the Artist
(source: Moose Attitudes)

Stephen Cepello divides his time between Los
Angeles and his studio in the mountains. There
is a physical and spiritual grandeur to painting.

He was raised and educated in Arizona.
Although not exclusively a southwestern
painter, Cepello is passionate and sensitive to
his home state's history, and subsequently, a
knowing guide for anyone with an infatuation
with the Old West.

His work is in major collections across the
country.

In Hawaii, where he lived for years, he was
known as one of the most respected and top
selling seascape artists. Knowledgeable
collectors of nautical works prize his oils for
their extreme attention to the minute detail and
exacting authenticity

He is also an artistic authority on marine
mammals and actively engaged in aquatic life
preservation. He is on the board of directors
for the Whale Rescue Team, an organization
whose mission is to free entangled whales and
endangered sealife.

When Cepello was invited to present his hugely
successful one-man show at the prestigious
Ashcroft Gallery and Museum in Scottsdale,
Arizona, his paintings were said to echo the
mastery of Henry Farney and Charles His
technique and vision may well be compared to
N.C. Wyeth, or Russell, but his paintings are
uniquely, and superbly, Cepello.

With unprecedented skill and the fiercest of
emotion, Stephen Cepello's work mesmerizes
the viewer by surging into burning sunsets and
vast mountainscapes; canyon gorges breaking
for violent running rivers and towering rock
walls that jut in relentless glimpses of sheen; or
stagger one's senses with a single isolated
figure in the wash of the wind, recreating both
the tumult and the silences of a vast empty
landscape. Stephen Cepello is eminently
deserving of the Hague International Exhibition
Award. He is also the recipient of the coveted
Louis Whitney Kassler Award.

His Gallery associations have included:

Ebell Gallery
Los Angeles, CA

Center Galleries
Honolulu, HA

H & G Studios
Florida

Simon White Galleries
Washington, DC & NYC

Janeway & Rothschild Arts, LTD
Fort Worth, TX

The DeMille Gallery
Laguna Beach, CA

Wainethraub Fine Art
Houston, TX


See our other wrestler artist galleries:

| Lord Carlton | George Gordienko
| Ted Lewin | Jim Bertz|
Wrestler & Artist Steve Strong
(Steve Cepello)
Wrestler & Artist Steve Strong
(Steve Cepello)
Click here to see Greg
Oliver's 2001 interview with
Steve Strong
Wrestler & Artist Steve Strong
(Steve Cepello)
Wrestler & Artist Steve Strong
(Steve Cepello)
Bodybuilder Dave Draper
Drawing by:
Wrestler & Artist Steve Cepello
This poster reproduction (34" x
22") of a painting by Steve Cepello
(Steve Strong) can be purchased
for $20.00 at the Sea Shepard
Conservation Society
.
All Rights Reserved
Copyright Duff Johnson 2004-2008
No text or image may be copied or
reproduced without written permission.